Although strong roles for women in film seem to be few and far between, with cable and premium television programming becoming so popular, many female actresses are turning to the smaller screen.
Over the past few years, Showtime has centered several of its shows around female leads, but with a twist. These main characters are not black and white. These women have flaws. They may make questionable decisions, but they are trying to do what is right for their family, for themselves. They’re human.
Edie Falco plays Jackie Peyton, a nurse, a mother, and a prescription drug addict. Nurse Jackie displays Jackie’s indiscretions—taking a couple Vicodin to get her through the day, having an affair with a co-worker— but also focuses on the empathetic side of the character. Even with her rough New Yorker exterior, Jackie cares about her patients, her co-workers, and her family.
Over the past few years, Showtime has centered several of its shows around female leads, but with a twist. These main characters are not black and white. These women have flaws. They may make questionable decisions, but they are trying to do what is right for their family, for themselves. They’re human.
Edie Falco plays Jackie Peyton, a nurse, a mother, and a prescription drug addict. Nurse Jackie displays Jackie’s indiscretions—taking a couple Vicodin to get her through the day, having an affair with a co-worker— but also focuses on the empathetic side of the character. Even with her rough New Yorker exterior, Jackie cares about her patients, her co-workers, and her family.
The half-hour dark comedy has been paired with United States of Tara in Showtime’s lineup. Tara is another series that focuses on a woman with a seemingly normal life: Tara Gregson has a caring husband, Max, and two teenage children, Kate and Marshall. But Tara also has dissociative identity disorder, which means her family rarely gets to see wife, mother and artist Tara; they are more often dealing with her other identities, which include Buck, a motorcycle riding veteran, flirty teenager “T,” and old-fashioned housewife, Alice.
Tara struggles to balance raising her family with finding out more about her disorder and what she can do to fix it.
Toni Collette plays Tara, for which she was awarded a Best Actress Emmy in 2009 and a Golden Globe in 2010. On Sunday, Falco was awarded an Emmy for her work on Nurse Jackie.
The supporting cast of characters on both Jackie and Tara are strong as well. Even though the half-hour format and the twelve-episode seasons do not lend as much time to explore these characters as audience members may like, it’s another reason to come back for more.
The programs on basic cable channels such as AMC and premium channels like HBO and Showtime may be getting a lot of press lately, but there are still quality shows (with strong female characters, no less) on network television.
One female who does not get recognized enough is Leslie Knope, played by Amy Poehler, on NBC’s Parks and Recreation. The half-hour comedy is shot in the same mockumentary style as The Office, so many critics were quick to write off the show as a carbon spin-off. (See what I did there? Carbon copy? Carbon spin-off?) However, in the second season, it’s really come into its own.
Leslie Knope is not a female Michael Scott. Leslie is the assistant director of the Parks Department in Pawnee, Indiana. She and Michael Scott both overestimate the importance of their jobs, but unlike Mr. Scott, Ms. Knope has a better reason. She’s a civil servant and her enthusiasm for improving Parks Department programs and the love for her community is touching.
Even though her overt enthusiasm is sometimes portrayed as being grating to her friends and colleagues, Leslie Knope is the type of person (and the type of character) that everyone loves. Her friends and co-workers would do anything for her, because they know, if the situation were reversed, she would do the same.
As intriguing as it is to watch dark comedies about dysfunctional families, sometimes it’s nice to take a break with a show that has a lot of heart and makes you laugh out loud.
Speaking of bureaucracy, Chicago politics provides the background for the new CBS hit, The Good Wife.
Peter Florrick, a Chicago state’s attorney, has been accused of corruption as well as being involved in sex scandal. The show focuses on his wife, Alicia’s story, and how she handles her husband’s crimes. The show was inspired by Eliot Spitzer’s scandal, as well as other politicians, including John Edwards and Bill Clinton. Knowing the basic premise, TV viewers may ask why they would want to watch a show focusing on an issue that is a common item in the news and overplayed in the 24-hour news cycle.
Most politicians’ wives are portrayed by the media as blindly standing by their man, but I sympathized with Alicia. Some of that empathy may be a credit to Julianna Margulies, who is excellent in the role, but when Alicia decides to not divorce Peter, it’s easy to understand her reasoning. She wants to protect her family and keep her children’s lives normal, especially after they have been through so much turmoil.
Ms. Florrick does not waste a lot of time feeling sorry for herself. She seeks out work as a lawyer. Through her new job as a junior associate at Lockhart and Gardner, we meet a supporting cast of strong women. Diane Lockhart (Christine Baranski) is one of the firm’s partners. Alicia, who was hired by an old law school friend, Will Gardner, feels that Diane does not approve of her working at the firm, but throughout the season, it’s clear that the two women have a mutual respect for each other.
Another strong supporting female is the firm’s private investigator, Kalinda Sharma (Archie Panjabi). She and Alicia often work together on cases, Kalinda providing a cynical, pessimistic counterpoint to Alicia’s idealistic view.
Many TV viewers may get turned off by thinking that The Good Wife is a show about law and while that is certainly part of every episode, it is ultimately about a woman who has watched her life fall spectacularly apart and is trying to piece it together again.
In all of these women’s flaws and quirks, there is also an ability to relate to them. We see slivers of ourselves.
So why aren’t you watching?
